Apollinaire, Guillaume, I Pittori Cubisti, trans.(New York: Museum of Modern Art, 1942), p. Wheeler, Monroe, 20th century Portraits, exh.(London: Alex Reid and Lefevre, 1938), n.p. Alex Reid and Lefevre, L’Ecole de Paris, exh.Zervos, Christian, Histoire de l’Art Contemporain (Paris: Cahiers d’Art, 1938), p., “Its Foster Father Talks of Modern Art: Vollard Brought Out Painters of Genius,” New York Times (November 15, 1936), p. 10 (ill.), as Portait of Picasso (Hommage à Picasso), 1912. “Modern Museum Opens Show Despite Ignorance of U.94), as Portait of Picasso (Hommage à Picasso), 1912. (New York: Museum of Modern Art, 1936), pp. Minneapolis Institute of Arts, Bulletin of the Minneapolis Institute of Art 25, 33 (December 5, 1936), cover (ill.), as Portrait of Picasso, 1912.Buffalo Fine Arts Academy, The Art of Today, exh.(Paris: Gazette des Beaux-Arts, 1935), n.p. Cogniat, Raymond, Les Créateurs du Cubisme, exh.33), xx (ill.), as Portait Picasso/Hommage à Pablo Picasso/Portrait de Picasso, 1912. 11, ill.), 48, as Portrait of Pablo Picasso. Saiko, George “The Tragic Position of Abstract Art,” London Studio 5 (January 1933), pp.(Paris: Galerie Georges Petit, 1930), n.p. Galerie Georges Petit, Cent ans de peinture française, exh.Das Berliner Programm (Berlin, 1930) (ill.).(Berlin: Galerie Alfred Flechtheim, 1930), n.p.
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